Indian cinema has long been fascinated with mythology, a trend that shows no signs of waning. The recent release of Prabhas-starring Kalki 2898 AD exemplifies this fascination by blending science fiction with elements of Hindu mythology. Directed by Nag Ashwin, the film introduces a re-incarnation of Karna, a revered figure from the Mahabharata, into a post-apocalyptic setting. This creative choice raises questions about why filmmakers are so drawn to mythological themes, even when they do not strictly align with traditional narratives.
The appeal of mythology is not a new phenomenon. Indian filmmakers have been incorporating mythological elements into their works for decades. Director SS Rajamouli’s Baahubali 2, which draws loosely from the Mahabharata and Ramayana, and his Oscar-winning RRR are prime examples of how these ancient tales are reimagined for modern audiences. Other notable films inspired by Indian mythology include Brahmastra, Kantara, Karthikeya, HanuMan, Adipurush, and Rajneeti. The frequency with which these myths appear on screen highlights a deep-seated cultural connection that filmmakers and audiences share.
Writer and filmmaker Siva Ananth, known for his work on Ponniyin Selvan and Sachin: A Billion Dreams, explains that mythology resonates deeply with our collective psyche. “All our stories are based on mythological narratives. The core essence of our storytelling often mirrors the moral and philosophical underpinnings found in epics like the Mahabharata and Ramayana,” According to Ananth, these ancient stories have been so ingrained in our culture that even contemporary portrayals of heroes reflect mythological archetypes.
Director Mani Ratnam, renowned for his adaptation of the Ramayana in Raavan, employs a meticulous process when creating films based on mythological stories. Ananth describes this process as involving extensive research into various versions of the myths across languages, resulting in a profound understanding of the source material. This research phase sets the foundation for developing nuanced and compelling narratives that resonate with audiences.
Chitra Divakaruni, author of Palace of Illusions and Forest of Enchantments, highlights that mythology offers a rich tapestry for storytelling. She argues that these ancient tales are “evergreen,” providing timeless insights into the human condition. In her retellings of the Mahabharata and Ramayana, she focuses on the perspectives of Draupadi and Sita, respectively. Divakaruni believes that the depth and complexity of mythological characters make them perennial sources of inspiration for writers and filmmakers.
Ananth further elaborates on the dramatic essence of mythology, which inherently aligns with the cinematic art form. He points out that the dramatic and larger-than-life elements found in the Ramayana and Mahabharata are central to the appeal of these stories in film. “Filmmakers often turn to these epics because they embody the scale of drama and grandeur that cinema strives to capture,” he explains.
The enduring influence of mythology on Indian cinema underscores its role as a fundamental element of cultural expression. From the earliest Indian feature film, which was based on the legend of Raja Harishchandra, to contemporary cinematic adaptations, mythology continues to shape the narratives and aesthetics of Indian films. As a reflection of society’s values and ideals, mythology not only informs but also enriches the cinematic experience, making it a central pillar of Indian storytelling.
